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What’s more, the Prince has added to his roster of moves. Narrow streets packed with poles to swing from and walkways to traverse? Yep, them too. Dank sewers populated with monsters? Check.

PRINCE OF PERSIA GAME FREE FULL

Grand palaces full of high balconies and fiendish traps? Check. The new setting – the Prince’s home city of Babylon (under occupation from a fiendish unknown force) – is like an enormous playground for the prince’s athletic escapades. Apart from Mario 64, I can’t think of another game that made movement through 3D space so enthralling, and in The Two Thrones the magic is definitely back. The ghastly metal soundtrack has disappeared, the combat has been toned down, and there is a renewed emphasis on what made the Prince’s first 3D outing great: the sheer joy of his wall-running, pole swinging, chasm leaping acrobatics. It’s not a complete repudiation – there are still hints of that game’s gothic stylings and macho posturing – but here, at last, is a sequel that fans of The Sands of Time can embrace. The first is one of relief: the Two Thrones is clearly and unequivocally a huge improvement on its predecessor, The Warrior Within. Two Thrones also suffers slightly from an imposing holiday deadline and the preposterously lofty expectations fans of Sands carry with them at all times. And yet, while this third game offers so much indisputable greatness, it still grips tight to the failing philosophies of Warrior Within in just enough key areas.

Music, art, acting, acrobatics…story! Each universally applauded part of Ubisoft’s first marvelous foray into the Sands of Time trilogy has been recreated here with care and cunning, save for the scarred and craggy, battle-hardened face of our champion.

Prince of Persia: The Two Thrones is Sands of Time reborn. Boy does it ever feel good to be wrong! I’m dazzled. Sadly, it seemed back then that a title of Sands of Time’s caliber would just not come, given the new path laid down by Warrior Within for the Prince series. A good rule of thumb is to understand when one more stroke is too many and when an excess of magic is drab. Indeed, an excess of scantily clad women, shadowy beasts and heavy riffs made Warrior Within ordinary, for when all is dark and grimy, even the dark and grimy become bright. In trying to appeal to more folks by lining the game with more stuff, much of the original magic was lost. But despite best efforts and a healthy dose of hard rocking, Warrior Within cheesily fell short of the amazingly high bar its predecessor set. Swords and shadows! Dirt and “bitches!” Warrior was to be Ubi’s sinister, consumer friendly modification of the fundamental Sands mechanics that were ever so thrilling and critically acclaimed. Once upon a time… To appease the lowbrow demands of 100 million casual gamers unwilling to spend cash for Ubisoft’s brilliant Sands of Time game, the company took Warrior Within into the more digestible realm of “action” and away from the realm of “thinking-man’s platformer.” Swords and Shadows If you are, however, simply wondering if this particular version of Two Thrones is identical to the others in terms of content and also functional, wonder no longer: The games are clones of one another and this one works just fine.

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